The Box - a monosyllabic scene

Donna Stuccio

   
 


Characters: DETECTIVE TONY LaROSA, veteran cop, late 30’s;
                 DANNY St. JAMES, veteran suspect, late 20’s
Time: The present.
Place: Interrogation room, also known as “the Box”. Desk, table, couple of chairs.


(At rise, Danny is seated. Detective LaRosa enters with cup.) LAROSA (Offers Danny a cup of coffee): Cream?

DANNY: Black. (LaRosa puts the cup on table, pulling packets of sugar from his pockets.) I’ll take five.

LAROSA: Five?! (Counting packets.) How ‘bout three. Best I can do.

DANNY: The shit will taste like piss. (LaRosa starts to pick up the cup and heads for trash can.) I need that, man! (LaRosa stands poised with the coffee.) Three. Put the three in there.

LAROSA: What, late night?

DANNY: Fuck you.

LAROSA: Drink your jo. I got lots of time. Need a smoke? (Takes out cigarettes and offers.)

DANNY: Quit.

LAROSA: You quit? What, the patch?

DANNY: Gum.

LAROSA: Yeah? (As he lights a cigarette, the smoke heads in Danny’s direction.) How is it?

DANNY: Tastes like piss.

LAROSA: Hey, did it cost you? Don’t whine.

DANNY: Can I go now?

LAROSA: We just sat down.

DANNY: Don’t fuck with me.

LAROSA: All these years we’ve known each other. Brings tears to my eyes.

DANNY: You give me a cup of piss and blow smoke out of your ass and ya think I got the time for this? I ain’t on a date with you. What the fuck do you want to know?

LAROSA: You know.

DANNY: I hate when you play these cop games with me.

LAROSA: We go back a long way, don’t we?

DANNY: Yeah, you’d think by now you’d give me a ring.

LAROSA: Put out first.

DANNY: Shit, take me to a place with more class than this if you want to fuck me.

LAROSA: I don’t want to fuck you. How ‘bout we just try first base?

DANNY: (He can’t take the smoke any more as he craves a cigarette.) Give me one of those.

LAROSA: Those scratch marks on your face. A bit of blood on your shirt.

DANNY: Ran into a tree.

LAROSA: Where?

DANNY: Lake Road.

LAROSA: When?

DANNY: Three, four days ago.

LAROSA: (As he dangles the cigarette in front of him.) Look fresh to me. When?

DANNY: Shit how do I know? A wuss like you may know just when but me, shit, what I do I care? It’s a scratch. I suck it up. Go on with my shit, you know?

LAROSA: And your “shit,” (He makes the quotation marks.) just what is your “shit”?

DANNY: Same as you.

LAROSA: Same as me? I work.

DANNY: Work? You call this work? You stalk.

LAROSA: Stalk? It was fate that brought me to you.

DANNY: Right, fate. Last week, I walk down the street and there you are-at a stop sign in a beat-up Ford. I grab a beer at Bo’s and there you are. I’m on White Street a couple of hours ago…

LAROSA: Ah yes, where the whores are…

DANNY: And there you are. Was it me or the whores who drew you to that part of town?

LAROSA: (Hands him the cigarette.) You, babe. It was you. You’re on to me. (Pause.) Strange thing, I just was on a case near by. Sad case. (He leans in and lights the cigarette.) Dead kid.

DANNY: Got some snacks?

LAROSA: Chips?

DANNY: Lays?

LAROSA: (As he pulls a small bag of chips from his desk.) Wise.

DANNY: Shit.

LAROSA: What’s wrong with Wise?

DANNY: When I was a kid, found a green chip in my bag of Wise. I was off chips for years. Then I found Lays.

LAROSA: Well, I could dump them right here and make sure there’s no green ones.

DANNY: That’s true love. (LaRosa dumps the chips and checks them over. Danny starts eating.)

LAROSA: So, there was this dead three-year-old on Green St.

DANNY: Green Street? Green Street, green chips.

LAROSA: Got a bit of weird fate at work here, huh.

DANNY: Three lumps, three-year-old kid.

LAROSA: Dead kid.

DANNY: Yeah, you said that. Three times.

LAROSA: Blood on the kid, blood on you.

DANNY: That’s a stretch don’t ya think? You got more’n that? Your case is lame so far.

LAROSA: I got you at the scene.

DANNY: Yeah? How’s that?

LAROSA: Well, it seems there was one more kid in the house. How’d you miss the boy?

DANNY: What makes you think I missed him?

LAROSA: I know. The boy told us his mom left them with you while she went to work.

DANNY: Those kids? That broad? Work? She’s a whore, man. Yeah, I sat with them while she went to turn tricks. I drank her beer. She came home. Paid me in weed and I spilt.

LAROSA: You split, she goes in the room, finds the dead girl on the floor, next to the bed.

DANNY: (Shrugs.) I left no dead kid. Could be one of the tricks. Or she fell off the bed, I guess.

LAROSA: Fell off the bed. Fell off the bed? What, do you have rocks for brains? Tell me she fell off the bed? The dumb-ass cop will buy that she fell off the bed? (Takes him by the scruff of the neck and lifts him off the seat.) I was there! At the scene. Blood. There was so much blood. (Pause.) Man, how could you do that? What goes on in that sick head of yours?

DANNY: Go on! Take me out! Right here, in your nice suit and silk tie! Your cop pals can watch from the two-way glass! You think I don’t know they’re there? (Waves.) What a show!

LAROSA: I’d jump at a chance to make you pay for that kid! It was you! I see it, man! DANNY: What, on me?

LAROSA: In you. In your eyes.

DANNY: Shit, all you cops think you can get to the truth that way. The eyes. What a joke.

LAROSA: Yeah, well we’ll see what a joke it is when the kid looks you in the eye at the trial!

DANNY: Five-year-old kid on the stand? You won’t put him through that! (LaRosa slowly releases him.) You got no case.

LAROSA: I don’t need the kid for a case. (He opens folder on the table and pulls out a picture. Danny looks at it as his bravado slowly fades.) Seems like there’s not a kid left in the world with no cell phone. They watch so much TV. Like I said, smart kid. Wants to be a cop. (Pause.) I want to know one thing. Why?

DANNY: (After a long pause, he shrugs his shoulders.) I just felt like it.

LAROSA: You just felt like it?

DANNY: The right time, the right place, ya know?... There’s a phone call, right? (LaRosa throws him a cell phone. Danny holds up his cup. LaRosa nods and exits. Lights fade.)

END OF SCENE

 





 

Donna Stuccio is one of the founding members of Armory Square Playwrights, dedicated to developing new plays by Central New York authors. Last winter, she was selected to participate in Ithaca’s Kitchen Theatre’s 3rd Annual 48 Hour Playwriting Marathon.

 

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