Arc Wielders - a fragment

Rob Bass

   
 

The orb reached the top of its arc and paused, floated at the apex without regard for momentum or gravity, reflecting the orange glow of the streetlight on its south pole and the soft blue illumination from the moon on top, before finally surrendering to Newton and veering back down to complete the semi-circle, the target at one end and me at the other…

You’ve got to make your own fun; you pick that up real fast going to high school in a small town. If nothing’s going to happen, you can either sit around and bitch or get busy doing something about it. That’s Morgan Freeman. Or Stephen King. Or Frank Darabont even; now that I think about it, I’m not sure. All of them said it. Or something like it. Point I’m trying to make is the older one gets, the harder it is to captivate and entertain the evolving ever-assimilating mind. At first, a few plush animals in the playpen are enough. Then, in the case of the typical alpha male, we move into plastic weapons and tiny plastic men holding tiny plastic weapons. An imaginative nine-year-old might require a myriad of toys from ten to twenty disjunctive universes to see the vision in his mind’s eye fully wrought. Bicycles, Mustangs, Harleys, boats, lake houses, planes … boys and the size of their toys.
        But like I said. High school.
        Besides the obvious teenage pursuits, ranging from carnality to Quest Through Chemical Exploration (as Ms. Duncan put it in Honors English), my buddies and I had many entertaining ways to kill time in the PM, most enhanced by Consumption of Alcohol by a Minor. We talked girls into playing variations of card games like Strip Gin or Strip Asshole with us at local coffee shops, smuggling in the last player, Captain Morgan, inside someone’s backpack. Or we’d go water-ballooning.
        Over the years, we learned from our mistakes and refined our technique to the point that we were at our peak. Experts in the Art of Bushwhacking Moving Cars and Trucks w/ Volleys of Exploding Rubber & Water. I can hear the satisfying thwack! Even now. If everybody threw well, it was more like thwthtwckackk! We had a series of locations on the northwest side of town (my folk’s neighborhood, brilliant) that, over the years, rose up above other less opportune launching points as prime kill-zones, the most sheltered of burrows/firing ranges within which we were safe from reprisals from our victims.
        The optimum spot: SHORT RAILROAD. Stalingrad.
        It’s safe to say that from the beginning we employed questionable judgment. Jon picked me up in his late-80s Ford Taurus, to this day the worst, most unreliable, capricious, fickle monstrosity with a carburetor in which it has ever been my displeasure to ride. The model in general, this piece of shit in particular. He was supposed to grab his dad’s car for the evening but did not come through. Mine was in the shop. The folks knew me well enough (or at least had enough of a clue - or at least my ma did) not to entrust me with the keys to their jewels on such a beautiful evening occurring at such an obviously chaotic time in my life. So, it had to be the Taurus.
        Jon had a case of Budweiser and we popped a couple open on the way to Short Railroad. The tail end of dusk on an early evening, the summer before our senior year.
        We parked at an apartment complex about fifty yards northwest of the intersection, tucked away over a couple hills and a little pond. That was what made it the best spot. Approach from the south and park right by the hole in the fence. Leave the engine running. Always. Creep through, hunched down in the shadows, and wait for a suitable target to come barreling out of the 55 mph zone.
        We stalked over and perched on the edge of the hill rising up to the northwest corner of the intersection. When the light turned red, cars lined up four or five feet away from us, windows down, Saturday night smoke and conversation trickling out, and no one the wiser that the only reason their boring rhythms weren’t shattered was because they drew the red light. When it turned green, they went off on their oblivious way and our targets began their approach. From our unnoticeable collective crouch, we could see them coming, had the ability to declare a candidate as Confirmed Target right up until the last second. Once you were Confirmed, there was no way out. You were going too fast. And were too close.
        We rose as one, let sail the balloons, and the second between the throw and contact, our action and its result, was, now that I look back on it, the point of the whole thing. Waiting for that suspension to be lifted, to burst all over some poor bastard’s Top 40 Ace of Base existence. A microcosm of anticipation and satisfaction. The whole world, just in that. Then the adrenaline rush to the car through that slice of wilderness.
        Sometimes everyone hit, often not. Didn’t matter though, long as we all took part. We were kind of like the Olympics that way.
        It’s taken me years to catch, to really appreciate, the symbolism: the sight of that water-balloon arcing off into the night, ascending to a peak just long enough to dangle in-between, not fighting gravity but not surrendering either, just floating there long enough to blow a kiss at Heaven before at last relenting, tumbling down the back half of the rainbow, all my childhood madnesses and stupidities defined by that one point where everything is still possible and I can snatch stars without even burning my palms, that single apex receding even now as I fall, laughing and singed, back to the ground.

 





 

Rob Bass's short fiction has appeared in Ducts, Carve, Lily, and 3AM. His long fiction has been featured in several unpublished novels that have been called lyrical, rhapsodic, and astonishing by an assemblage of unreliable voices in his head. That’s not all they say, but it’s best to stop there. He is married and lives in Austin, Texas.

 

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